Decorated Papers veil with a collage of different types of papers.Richly ornamented papers own been in use for centuries but that often go unnoticed.
I sincerely love books; new and old, design, enrichment, architecture, art, craft, fashion, landscape and much more. I use them for reference, inspiration and pleasure. There is event special about each book — from the con~ and design of the book jacket to the choice of material as antidote to the end papers, from the pick of font to the cadence of photographs, and of point of compass the content. For me, each treasured preferred is highly personal.
Below I’ve chosen a not many titles I just had to proportion — in no particular order. I am undisputed that most are available on Amazon, unless I prefer to support local volume shops whose knowledgable owners share their preferences and intelligent grasp.
Here is my list, subject to recent additions at any given moment:
SIMPLICITY ~ means of Nancy Brathwaite, Rizzoli 2014
The afflatus for Brathwaite’s work is based Shaker holiness; she uses a subtle color palette, the navy of scale and the repetition of elements to make spaces with strong lines and prompt, forceful identities. Simplicity is the goal, and incredible photographs showcase the designer’s precious minimalist interiors.
ONE MAN’S FOLLY ~ dint of. Julia Reed, Rizzoli 2014
Furlow Gatewood lives in Americus, Georgia, in a magical private enclave where he has created a extremely personal and stylish lifestyle for himself and his much loved animal kingdom. On family property he has restored the source carriage house, rescued other buildings from destruction and reconstructed them on the property, and added modern ones in many architectural vernaculars. He has collaborated with local craftsmen to create his follies and gardens, collected antiques by his unfailing eye, and willingly entertained the numerous admirers who travel to Americus to be surprised at his amazing creations.
THE KINFOLK HOME by Nathan Williams, Artisan 2015
Thirty-five residences transversely the globe demonstrate a common theme of slowing down and simplifying your life to produce more beautiful and intimate living spaces. The creator calls this concept “slow living”. He visits friends, of long date and new, to photograph the interiors of architects, stylists and entrepreneurs. The author hopes to identify what and whom we of itself cannot live without and how the home represents the “affection, the kernel, the bedrock of our values”. Bonus: Great photographs. (Its sharer, THE KINFOLK TABLE, is equally similar to compelling and includes some delicious-imposing recipes and more beautiful photographs.)
AMERICANS IN PARIS: FOUNDATIONS OF AMERICA’S ARCHITECTURAL GILDED AGE ~ the agency of Jean Paul Carlhian and Margot Ellis, Rizzoli 2014
Beautiful Beaux Arts drawings elect appeal to the architect, artist, designer and lover of comminuted, handsome books. This is a paper of American architecture students who qualified by study at Ecole des Beaux Arts in the late 19th and early 20th centuries, and returned to United States to design buildings that influenced the recital of American architecture such as the Boston Public Library and New York Public Library.
AN ANTHOLOGY OF DECORATED PAPERS by P.J.M. Marks, Thames & Husdon 2016
Over manifold centuries and continents, decorated papers be delivered of been used in countless ways in the same state as end leaves in books, bank notes, journals, wrapping journal and woodcuts to name a few, and the types of decoration were in the same proportion that varied as the use. There is commencing research and discovery on hand-marbeled papers, paste papers, brocade, stop up-printed and finally mass produced papers. Color, difference, techniques, regional visual preferences are documented in this fair volume.
THE NEW SHINGLED HOUSE ~ means of Ike Kligerman Barkley, The Monacelli Press 2015
A stentorian monograph of the work of IKB, a New York- and San Francisco-based architectural stable. Three partners and fourteen shingle-method houses interpret the rich heritage of close acquaintance traditional forms, with designs for late living. Thoughtful consideration of the natural setting and a slightly irreverent bearing allow the projects to capture the graphic, as opposed to strictly symmetrical compositions. Houses whole over New England and California desire been captured by the talented photographer William Waldron. Inside and off, we are treated to a mother tongue style of architecture that is at formerly familiar and new.
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